Money. Power. Red hair. Graying beards. With those as bullet points, you’d be forgiven for fondly recalling Garry Marshall’s smash 1990 hit Pretty Woman. Sadly, the bullets in director Kathryn Bigelow’s (The Hurt Locker) grim Zero Dark Thirty are all too real, snuffing out any chance the film has of becoming a classic romantic comedy. It’s a tactical misfire, […]